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Annette Meldrum

Photo of Annette Meldrum
Lifelong embroiderer, then I discovered Needlelace, which became my passion! I have attempted most forms of needlelace but have a special love for Borris Lace and Irish needlelaces generally.
In 2010 I co-wrote The Borris Lace Collection with Marie Laurie. In 2013 my Borris lace handbag won 3rd prize in The Kenmare International Lace Competition in Ireland.
I completed the Commercial Needlework Certificate at TAFE, an Arts Degree by correspondence, and worked as a Research Librarian at Wollongong University.
I am an Accredited Tutor with the Embroiderers’ Guild NSW and have taught needlelace and embroidery since 1988.
Collecting and researching lace and embroidery has taken me around the world. My textile collection includes pieces dating from the 1600s and often inspires new work.
Borris Lace Sampler

Photo of Borris Lace
The sampler includes all three styles of Borris lace and most stitches in one project (24 cm square). The centre features the ‘crag’ style, the inner border shamrocks on net ground, and the outer border traditional filling stitches.
A full kit will be provided and includes the pattern, working assembly, thread, tape, needles and notes. Cost is $35.
Vicki Taylor and Megan Robinson

Photo of Vicki Taylor and Megan Robinson
Megan and I have been lace making together for quite some time and love experimenting with bobbin and needle lace techniques to create contemporary work.
We introduce techniques suitable for jewellery, vessels, and sculptural forms using wire and thread, encouraging playful exploration and finished outcomes.
Looping and Lacing

Photo of bowl decorated with lace
Students will create a small vessel or disc and design a decorative lace edge using wire or thread. Bobbin lace and needlelace techniques will be used.
Maureen Goffroy

Photo of Maureen Goffroy
My love of lace began in 1993 when I discovered a Bucks Point pattern book in the library. I wrapped pencils with wool to make bobbins and stacked towels to make a pillow — and my lifelong love of lace began.
I have worked many styles but always return to Point Ground lace. I taught a class of special needs boys to make lace, which was praised by the school psychologist as excellent for their development.
Our Lacecargot group began in 1995 and is now 30 years old. I completed the Guild’s proficiencies and later the teacher’s certificate, encouraged by Kate Gentelli.
I enjoy designing and am currently experimenting with Lace8 for Point Ground designs. I am happy to teach all levels.
Point Ground Lace

Photo of Point Ground lace
The workshop covers four aspects: beginner hanky edging, a circular six-sided lace, advanced Point Ground grounds, and finishing a bookmark without a tassel.
Basic knowledge of Point Ground and honeycomb stitches is required, except for the beginner project.
Jenny Brandis

Photo of Jenny Brandis
I have been making lace for 20 years and designing for 19 years. All my patterns are designed with Lace8 by Ilsoft Ltd
I am a member of various lace organisations including: The Australian Lace Guild, ‘Gumlace’, OIDFA, IOLI, Oregon Trails Lacemakers Group and various internet based lace groups
I have self-published patterns as PDF’s since 2006. My patterns have also been printed in Australian Lace. I completed my Torchon proficiency in 2006.
Lace8 – a Designer’s Friend

Photo of Lace8 software logo and pattern
This four day workshop will explore the lace design software, Lace8, from installation through to how you can make your design process faster, neater and resizable at printing – it is still YOUR design as the software merely replaces the grid, pencil and eraser.
The workshop will cover the Lace8 tools that will streamline your design process.
Requirements:
Windows laptop
Lace8 pre-installed or Lace8 software will be provided to install on the first day, please ensure that your laptop is WIFI capable to facilitate installation.
Mouse and mat
Notepad and pen
Zanna Antonova

Photo of Zanna Antonova
I trained at a professional lace-making college in Vologda, Russia, specialising in bobbin lace design and making.
I later lived in Crete for 15 years before moving to Western Australia, where I became part of Australia’s lace-making community.
Designing lace has been my life’s dream — transforming pencil sketches into finished lace using my Russian bobbins and pillow.
Russian Lace

Photo of Russian lace butterfly
Students will work with beginner to advanced Russian lace patterns, learning starts, finishes, braids, gimps, picots, tallies and fillings.
Requirements: Linen threads 50/2 and 50/4, cotton threads No.30, gimp threads, crochet hook 0.5–0.6 mm, 10 pairs of continental bobbins.
Rosita D’Ercoli

Photo of Rosita D’Ercoli
I graduated as a lace teacher at the Regional Lacemaking School of Gorizia in 1985 and taught there until 2017.
I am an archive researcher, author, pattern designer, and editor of the Fuselliamo magazine.
Goritian Flowers and Leaves

Photo of Goritian lace flowers
Flowers and leaves are typical of lace from Gorizia. Students will learn traditional techniques and modern adaptations.
Supply list: Bolster or flat pillow, 15 pairs of bobbins, cotton thread No.40, silk or cotton gimp, very fine crochet hook, thin pins.
